‘A Favorite Image’
We favored film photography during the whole day, especially during the couple shooting, and went for natural light while exploring the loving, intimate vibe between them, using the architecture and the monumental floral arrangements as part of the story telling. I shot this part mainly with the Canon 5 and a 35mm, and with a Kodak Gold roll.

The Gear and Details

Gear:
Canon R6 Mark II (24-70mm RF, 16-40mm, 24mm RF, 16mm RF), Godox V100C, Canon 5 (50mm 1.2 EF, 35mm 1.4 EF) and a couple of Olympus MJU for the party.

Coverage:
2 photographers over 16 hours

Photographer: Dias de Vino y Rosas

Pre-Production:
We knew the monastery and the beautiful set up would call for drone shots, and with so many guests, we also knew we’d be able to play with a wider‑angle lens during the party. Also, the couple loved our analog photography, a signature part of our work. So with all of that in mind, we packed our bags full of gear and plenty of film rolls.

Setting the Scene

“Opi, from Open the Door Events, did an incredible job transforming Janneke and Vincent’s ideas into a dream. The vision was to portray Madrid, the city where the couple lives, through a blend of traditional Madrilenian craftsmanship and unexpected modern touches, reflecting the contrasts that define the city itself. Inspired by Spanish Cubism, the design combined materials like terracotta and Toledo lace with contemporary lines and textures, resulting in a truly distinctive aesthetic. Every one of their passions found a place within this vision: design, food, craftsmanship, and art.”

Embarrassing Truth:
We’re not exactly drone lovers, but we do love a good drone shot when the location truly calls for it, and the symmetrical beauty of the courtyard was one of those places. My second shooter was actually taking some group photos while I captured this. You can spot it in the image!

Getting Ready

“We usually start the day separately: one of us with the bride and the other one with the groom. We trust each other entirely, and we feel it’s a better experience for the couple to be able to get prepared when it fits their plans, instead of having to take turns because of us. This way, we were able to get both of them ready at the same time, and then my second went up to the terrace with Vincent and his friends to capture them having a drink, while I did the same with Janneke.”

Ceremony

“The ceremony took place in the remains of the monastery’s old church. The former altar looked beautiful, surrounded by nature, faded frescoes, and the asymmetrical floral installations arranged by Open the Doors Events and Metatopy. The space is roofless now, as the ceiling didn’t survive over time, so natural light, filtered by smooth clouds, flowed seamlessly and reflected softly across the church’s textured walls. That meant lighting was never an issue, and we were able to work exactly the way we love during ceremonies: discreetly, with no flash, drawing as little attention to ourselves as possible while focusing on the most important part of the day.”

“During the ceremony, and throughout a good part of the day, we try to split up and stay in different areas of the wedding, staying in constant communication. One of us is always near the altar, while the other moves around capturing different moments: guests, when we feel we’re not disturbing them, and wider views of the ceremony space from various perspectives.”

“For the key moments, we both return to the altar area and make sure to capture the scene in different ways, always aligned under the same vision: one shooting film and the other digital, or using different lenses, and often from different angles. It’s easy to delegate when you fully trust your team, and that’s why they’re with us in such an important and unrepeatable moment as a wedding.”

A Moment
Janneke and Vincent walked out of the church through a corridor of guests. The space was tight, and the walk itself was quick, just a few seconds. I immediately decided to go for a wide frame and include the guests’ hands tossing petals, rather than zooming in for a cleaner, more traditional shot. Later, I knew it had been the right call: the image felt so narrative and alive that I never even considered editing out the hands during post‑production. We love the more editorial part of our work, and how so many of our brides work in or are very interested in fashion, but what we find most rewarding about wedding photography is the documentary side. The moments like this one, where we get to tell as much of the story as possible, with aesthetics that feel true to the day and to the people living it.

Portraits

“We guided them through different parts of the monastery that offered the best light and beautifully showcased the character of the place. We wanted to photograph them both together and separately, taking the opportunity to immerse them in the romantic architecture and the beautiful floral design of their wedding. We worked in both film and digital with natural light as much as possible, switching only to flash mode for a few interior shots. They were such a lovely couple, so willing to enjoy the moment with us and open to being guided. We always try to create an atmosphere where our couples can relax in front of the camera and feel just as good as they look.”

Reception

“The cocktail hour had been designed as an immersive experience. A place where their love for food, craftsmanship, and design could truly take center stage. They wanted this part of the celebration to feel vibrant and interactive, encouraging guests to explore, taste, and connect. GAB Foods created five experimental stations that reinterpreted classic Madrilenian flavors in a fresh, contemporary way.

Alongside the food, a charming venenciador, a live painter working on a large abstract‑expressionist canvas, a ceramic artist shaping terracotta pieces on a spinning wheel, and live music filled the courtyard. Every corner was filled with art, Spanish culture, and the couple’s deep affection for the city they now call home.”

Infusing Concepts
Right after the ceremony, a venenciador, a traditional champagne pourer, welcomed guests into the courtyard with glasses of champagne. We captured some good film shots as we entered the reception with the guests, but I remember thinking I wanted a more artistic approach to his action, so I decided to return later. For that, I switched to flash and leaned into the harsh shadows to create a more narrative shot. We usually dive fully into our documentary side during the reception, but this timeless character called for a more deliberate image to tell his story.

“The reception took place in the courtyard, which meant some guests were outside in the open air alongside the ceramic artist, while most gathered under the covered corridors near the food and drink stations. Natural light was beautiful outdoors, but not as ideal in the corridors. We worked carefully to position ourselves at angles where the light worked best for us, and we avoid using flash until the sun began to set, except for a few specific shots.”

‘Behind the Image’
During the party, Janneke and her friends asked for a group photo, so I guided them outside the dance floor to create a playful moment. Once we wrapped up, I invited the bride to walk toward me, keeping the fun energy. My second joined in, and we joked about turning it into a fashion style moment to help her get into the zone. While my second focused on the more classic frames, I decided to include both my colleague and the videographer in my composition, leaning into a BTS feel. Shot with a 16mm and R6.

Closing Thoughts

“We’ve been in this industry for almost fifteen years now! And we feel incredibly honored to still be capturing so many beautiful weddings. Over the years, we’ve grown both personally and in our craft, alongside so many amazing vendors. It’s a true privilege to be surrounded by beauty and to keep learning, and relearning, how to capture real emotion year after year. We like to think that our passion for people, cultures, love, and film photography comes through in our images, and we’re genuinely happy to share that here with you!”