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PLUS Luxury Positioning Formulas, Aftershoot Updates and all the news
Ever get that feeling if you shoot only film, it might not work? Yeah you're not alone, even the heaviest film shooters feel this way. At this wedding though, the vibe was just too good to play it safe. Sav and Cam went all for it.. 120, 35mm, digital, even the Holga, all in the mix...
PLUS why 24 hour previews aren't best practice and Shooting Manual Flash on Film
Shooting manual flash on film during key wedding moments is not exactly the safe choice. But this wedding called for risk.. Between the Parthenon architecture, cinematic styling, and a couple who clearly wanted something more editorial, Anastasia Shaydakova pushed the look instead of playing it safe. Let's dive into the BTS of how she shot it and all her thoughts along the way.
PLUS big camera moves, Villa Balbiano ruined? and all the news
Not every “epic” shot will actually add to the gallery. This wedding proves it.. With a roofless church, soft natural light, fashion-forward flash moments, and a reception packed with Spanish culture, the coverage feels rich without being overly forced. Dias de Vino y Rosas take us deep into how they thought about creating images that immerse you in the experience of the day.
PLUS Full Sun Weddings, Rom-coms and all the news for photographers
“This ceremony was, without question, one of the most challenging lighting situations I’ve shot.”And the rest of the day wasn’t exactly easy either.Full sun, half shade, tight ceremony space, guests arriving by boat, tough getting ready room, and fireworks on a deck the size of a shoebox. So how did the gallery turn out THIS good? Sarbo Studio gives a masterclass in one of the hardest parts of being a wedding photographer.. rolling with the punches, but still delivering.
