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PLUS Full Sun Weddings, Rom-coms and all the news for photographers
“This ceremony was, without question, one of the most challenging lighting situations I’ve shot.”And the rest of the day wasn’t exactly easy either.Full sun, half shade, tight ceremony space, guests arriving by boat, tough getting ready room, and fireworks on a deck the size of a shoebox. So how did the gallery turn out THIS good? Sarbo Studio gives a masterclass in one of the hardest parts of being a wedding photographer.. rolling with the punches, but still delivering.
PLUS Side Quests at Weddings, Film vs Old Digital Comparisons, and All the News
A wedding like this can mess with photographers fast. The setting is grand, every corner looks like a photo, and suddenly you’re shooting everything out of panic. “Even in the most beautiful locations, photographing a wedding can feel like sensory overload. There’s so much happening, and so much you could capture. I’ve learned to quiet that noise by staying present, taking a breath, observing before reacting, and focusing on the moments that genuinely matter.” Zara's calm presence runs through this whole gallery. Nothing feels over-shot or anxious.. just someone tuned in enough to create work that feels RIGHT. Take a peek behind the curtain at how she thinks and creates on a wedding day.
PLUS Groom Style Advice, f1.0 lenses, and the Curation Challenge
PLUS Flash Brackets, Earth Photos and the Samm Blake
Some weddings have you stressing about perfectly capturing the flowers and details. This one was about something bigger... think massive architectural backdrop bigger. At the Teatro L’Occitane no less. In this feature, Michael Brito explains how he deliberately steps outside the “normal” photographer positions, letting his team cover the basics while he moves freely to create the images he actually LOVES. Let's get going, there's a lot to cover.
PLUS Vogue Insights, A Passport Camera and a 3000m high Ceremony