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PLUS Groom Style Advice, f1.0 lenses, and the Curation Challenge
PLUS Flash Brackets, Earth Photos and the Samm Blake
Some weddings have you stressing about perfectly capturing the flowers and details. This one was about something bigger... think massive architectural backdrop bigger. At the Teatro L’Occitane no less. In this feature, Michael Brito explains how he deliberately steps outside the “normal” photographer positions, letting his team cover the basics while he moves freely to create the images he actually LOVES. Let's get going, there's a lot to cover.
PLUS Vogue Insights, A Passport Camera and a 3000m high Ceremony
Installations flown in by helicopter, the team moving on skis just to stay in position, the guests in the snow... this is wedding photography at an INSANE scale. Let's jump in and get the photographer's POV on how he tackled this wild and challenging wedding.
PLUS Portra is dead, Re-order your carousel posts, and BTS shoot plans
There are levels to this game. Most settle for showing up to someone else’s styled shoot. It looks good, it works, but it’s not YOURS. Jennifer Moher went further here. Inspired by film set photography, she built an entire world around Marie Antoinette meets 1950s ballet... complete with directed movement, story, costumes, and characters. This is the difference between just turning up and shooting something pretty and 'world-building.' FEEL the difference below, and take note of just how much went into this.
PLUS BTS with Koko King, long veils, context image controversy and all the news
